As soon as Klauser and Sue departed, it occurred to me that our one-week vaporetto pass would expire later in the day. We must take advantage of it! I exclaimed. We must go to the glass island, Murano!
And so we did. The passes expired at 4:12 precisely, and it was not even noon. We hopped on a boat that promised to take us to a boat that would take us to Murano, and so it did. The island's small streets are lined with glass shops; there is a glass museum, there are exhibitions of glass blowing. We were looking for a very particular kind of water glass that Phil had seen in Venice, so we visited many shops, but it was nowhere to be found.

We stopped for cicchetti, now our preferred lunch. Cicchetti are Venetian snacks sold at most bars and small restaurants. They can include almost anything on a slice of bread or deep fried but are most often fresh sardines and pickled onions; prosciutto and cheese; salt cod puree; tuna puree; any of a million cured meats; meatballs of all sorts. One of them even tastes exactly like a ball of deep-fried prit, for those who know what that is. A few cicchetti and a glass of Aperol and prosecco or hot mulled wine makes a perfect shared meal, the Venetians claim. And so it did.
We visited the museum and learned about glass through the ages. I'd just finished a novel by Tracy Chevalier, The Glassmaker, about a glass beadmaker on Murano. It wasn't great, I wouldn't really recommend it unless you're going to Venice, but it was fascinating to see the places, objects, and processes that the novel describes brought to life.
The basilica on Murano is really unusual, mosaicked from end to end with a very Byzantine influence. The mosaics tell a story, partly allegorical, mostly about Jesus and good and evil.
We caught the boat back eleven minutes before our passes expired and considered it a day well and frugally spent (well, except for all the purchases we made on Murano. But we didn't waste our vaporetto pass!).
We dined at a new place, an all-meat restaurant because boy we had eaten a lot of fish in the past 2 weeks. It was tiny and packed, in San Polo, and the meal was delicious. I had duck pasta; Phil had lamb chops. Not a fish in sight!
Tuesday it turned cloudy and there was a stiff breeze. It was COLD. Really, really cold. I doubled up on the down clothing, added long underwear, bought a ridiculous hat at Phil's insistence, was still freezing. We decided that our best bet would be to go to the Academia Museum, the premiere museum in Venice, which somehow we'd never visited (or if we had, we'd completely forgotten it). At the very least, it would be warm inside.
Because I am very bossy and insistent, we spent most of our time in the early Renaissance section. I'm not a huge fan of late Renaissance and later Venetian art. It's so big. There's too much flesh. A lot of it is on ceilings and I hate looking up at ceilings. Plus we'd already seen a near-constant stream of Tintorettos and Tiepolos, with more to come. We admired and compared Annunciations and Madonna-and-Childs, of which there were many.

We had cicchetti and then stopped off at the Basilica Santa Maria della Salute, way out at the end of the Dorsoduro peninsula. It was even colder there! The church, dedicated to the Virgin Mary, was built after the plague of the 1630s in Venice, which killed 80,000 in the city alone. Every year there's a celebration where the Venetians cross the Grand Canal on a bridge made of boats to commemorate the ending of the disaster. The church's centerpiece is a Black Madonna, a Byzantine icon from the 12th or 13th century.
We had been told that everyone would go home after Epiphany, and so they had. The Piazza San Marco is now almost empty. It's wonderfully quiet, almost spooky to walk across with our boots echoing on the stones. Dinner, at Taverna Scalinetto, not far from the piazza, was perhaps our best meal of the trip so far.
We feasted on roasted pork shank with sauteed raddichio and raviolis stuffed with raddichio cream in a crispy sausage sauce. Way too full for dessert!